Hiller aims to deepen the understanding of architectural knowledge by focusing on internal structures and entities and relationships within structures, and to eliminate unproductive or potentially alienating relationships between the dweller of the structure and the building, based on human psychology.
Hiller states that there is a need for more scientific research about mathematics and human psychology within architecture. Architecture must cease to be as enclosed a discipline as it has become, and one can use such knowledge in architectural practice. Hiller points out that an architect must have an idea of what the building's potential dweller or occupier will 'know' about a space when he or she enters the structure. Often the knowledge of the space comes through the different, sucessive visibility fields he or she encoungers when navigating the interior space.
Hillier suggsests that although architects may view structures based upon mathmatical design, according to Euclidean...
Poetry may be one of the most common vehicles for emotional expression, especially the expression of romantic love. From Milton to Shakespeare, poets have woven words that capture their audiences as well as the object of their affection. Often the verses that talented poets pen linger for years, even centuries, as love is a universal experience. Love poems also appeal to all readers, especially if their language is straightforward and
Walks in Beauty Perfection in Byron's "She Walks in Beauty" George Gordon, Lord Byron was a British poet and a founding leader of the Romanticism in literature. Byron's works are infused with his dichotomous persona. Byron has been described as, "[dark] and brilliant, melancholy and vivacious, overtly sexual and sexually ambiguous [whose] shadowy side…has attained the stature of such dangerously attractive figures as Casanova, the Marquis de Sade, and Rasputin" (Pesta
pleasant and romantic world depicted in "She Walks in Beauty," Byron illustrates a dark, cold, and hopeless world in "Darkness." "Darkness" is an elaborately detailed poem that remains a testament to Byron's flexibility as a poet. When I consider the personal and external forces at work in Byron's life at this time, it becomes easier to understand how he could so masterfully create a world that was full of
Price Beauty? 'For though beauty is seen and confessed by all, yet, from the many fruitless attempts to account for the cause of its being so, enquiries on this head have almost been given up" William Hogarth, The Analysis of Beauty, (1753) Not very encouraging words, but if the great artist William Hogarth felt himself up to the task, we can attempt at least to follow his lead. That beauty is enigmatic
Most individuals fail to appreciate life to the fullest because they concentrate on being remembered as some of the greatest humans who ever lives. This makes it difficult for them to enjoy the simple pleasures in life, considering that they waste most of their time trying to put across ideas that are appealing to the masses. While many did not manage to produce ideas that survived more than them, others
Being of nature, a supposedly passive entity does not necessarily stime the female poet, it can also, in Bishop's construcion, empower her as a speaker. Yet, there is one caveat -- for Bishop's poem remains tantalizingly silent about her own gender as a female. Thus, even as late as Bishop, the idea of an openly female speaker within a poem associating herself with nature, and seeing herself reflected in nature
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